From Great Expectations through Don Quixote what I was interested in doing was examine how things worked. I couldn’t have cared less about putting things back together. I just wanted to say, “How does this work? How does sexism work?” So I would take texts and examine them and put them next to each other and see where I ended up. It was a journey into nihilism. “Okay, we end up there, and that’s not true either. What’s the truth value of this? What’s the truth value of that?” In Empire of the Senseless, I wasn’t interested in that anymore. I was interested in constructing something. But it was constructing from rubble. I was interested in seeing if I could make a narrative. What would I make a narrative out of? What would the narrative look like? I could summarize the plot of Empire of the Senseless. I couldn’t do that with any of my other novels.
[Decription] text for Sun People’s DJ-Set “Sound Sculptures (recorded live @ NerdNights Graz)”
[Polemic] Lain Iwakura “Stimmen aus der Gruft” ; english translation (via deepl) “voices from the crypt” about & against MOMEM-Frankfurt/Main
The polemic was followed by female:pressure’s open letter.
[Bachelorthesis] Lain Iwakura “non-standard-sequencing” , also in parts republished via NON [link]
[Lecture] “Transgender Marxism” with & by Jules Joanne Gleeson [ed.] >>video<<
[Manifest / Performance] “_art manifesto” by the Committee for the Abolition of the Arts
[Booklettext] Text for John-Robin Bold’s “Demonstrations”
[Albumtext] DeRayling ‘DeRayling’
[Book] Bill B. Wintermute ‘(Cybernetic-)‘Post-Pop‘: affect art(s) & (emotional) self-governing’ in “Achim Szepanski – Ultrablack of Music”
[Review] Bill B. Wintermute ‘error & imperfection in techno-psychology (review of “Gianluca Iadema – Aphàiresis”)’
[Text] Bill B. Wintermute ‘„Base Materialism“ – „Die Aufhebung der Ökonomie“’ in “Narthex – 4″
[Text] Acéphale – Acéphale III ‘Church of Rave’ in context of “Das Eselsfest”, published in “Nathex – 3”
[Vortragstranskript] Bill B. Wintermute ‘Randnotizen zur Hantologie’
[Text] Bill B. Wintermute ‘Point Of No Return’